All'ombra d'un bel faggio. All'or che lo sguardo. Amor, hai vinto. Aure voi piu non siete. Candida Lylia. Care selve amici prati. Cessate omai cessate. Che giova il sospirar. Del suo natio rigore. Elvira, Elvira anima mea. Era la notte. Filli di gioia. Fonti di pianto piangete. Geme l'onda che parte. Il povero mio cor. Indarno cerca la tortorella. Ingrata, Lidia, hai vinto. La farfalletta s'aggira. Lundi dal vago. Nel partir da te mio caro.
O mie porpore piu belle. Par che tardo. Perche son molli. Perfidissimo cor! Piango, gemo, sospiro. Pianti, sospiri. Prendea con mandi latte. Qual in pioggia dorata. Qual per ignoto. Particularly admirable is the interdependence with which the melodic lines interact, prompting superb brushstrokes that never sound superfluous or random. An ensuing relaxation of the turbulent climate turns out to be only momentaneous: the pressure to seek fulfilment generates an incessant search, though it is abruptly halted by a chord left suspended, without resolution, that dramatically reasserts the opening questioning.
This relaxation, however, contains within itself the echoes of melancholy. The transition towards more reassuring emotional states, conveyed by the melodic sequences in the solo part, turns out to be an illusion: after the rest that seals the achievement of resolution, an unexpected and unsettling seventh chord interrupts the dream and prepares the listener for the next movement.
III — Allegro agitato This is a movement of extraordinary beauty that unites diversity of character, virtuosity and original ideas: a rich sequence of refined suggestions. The cello opens with an extended theme characterised by a particular fluidity, imparted by the interplay of binary and ternary rhythmic figures.
This has the effect of orienting the listener in the continuous flow of new ideas. The creative material used by the composer seems to draw on influences that can be assigned to different historical periods. The introductory phrase on the strings, for example, seems to open up visions of 17th-century Venice. Although this is a solo concerto, the various parts of the orchestra often take on prominent roles and at times establish a sort of conversation between instruments.
Of considerable impact is the dialogue that unfolds between the winds min. Indeed the similarity to the serpent, an instrument of the cornett family, is remarkable. The whole movement, however, is firmly arranged within a grand framework of distinctly Romantic design. It sounds like an invitation to engage in the serene contemplation of the natural elements. The use of the mute in the trumpets and of hand-stopped sounds on the horns min.
A similar effect is generated with the modulation of the oboe min 3. The subsequent developments, despite their different dialectical natures reprise, variation, opposition , continually seem to revert to this opening assertion. Sweetest Love track 5.
Canon in D, Mostly track 2. Pachelbel Canon in Dance track 2. Aria from Overture no. Mahler track 8. Mahler track 5. Webern track 9. Three Choral Preludes: no. Ormandy track 7. Musikalisches Opfer, BWV track 9. Canon track 2. Gigue track 2. Canon and Gigue in D major: II. Gigue arr. Adagio for Strings and Organ in G minor track 1.
Ricercare a 6 track 9. Badinerie track 8. Air track 5. Largo ma non tanto track Hooked on Bach track 8. Hooked on Romance track 5. Hooked on Romance, Part 2 track 2. Bachelor Party track 7. Germany Tomaso Giovanni Albinoni. Kanon und Gigue D-dur producer: Dr.
Johann Pachelbel. Tambourin A-dur producer: Dr. Jean-Philippe Rameau. Chaconne g-moll producer: Dr. Henry Purcell. Air D-Dur producer: Dr. Johann Sebastian Bach. Choral: "Jesus bleibt meine Freude" producer: Dr. Amazon Advertising Find, attract, and engage customers. Amazon Drive Cloud storage from Amazon. Alexa Actionable Analytics for the Web. Sell on Amazon Start a Selling Account. AmazonGlobal Ship Orders Internationally.
Amazon Rapids Fun stories for kids on the go. ComiXology Thousands of Digital Comics. Greatest Hits. Limited Edition. Live Recording. Release Year see all. Language see all. Genre see all. Classical Filter Applied. Style see all. Concerto Filter Applied. Record Label see all. Deutsche Grammophon Filter Applied.
Case Type see all. Condition see all. Like New. Very Good." Piano Concerto No. 1 in D major, Op. Piano Concerto No. 2 in G minor, Op. Piano Concerto No. 3 in E flat major, Op. Wedding Cake Valse-Caprice for piano and strings, Op. Piano Concerto No. 4 in C minor, Op. " See all Item description.